The Eye (Plus)

I’ve often spoke of how some photographers seem to have an eye for what subject, angle, light, or composition of objects will work together to make an interesting or emotional piece of art. I’ve called this ‘having an eye’ for photography. Now, more than ever before, having an ‘eye’ for what post processing technique will aid in evoking the desired response is as much a part of the art as any other aspect.

I guess that a purist would hold that photography shouldn’t diminish itself by resorting to such post processing techniques, but for my part I encourage it. After all, evoking the desired response is more important that the purity of the means by which it was achieved. I don’t mean this as a end justifies the means statement, but rather a means to achieve an artistic end.

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